Aku-luo-uno, an exhibition by Nduka Ikechukwu (@nduka_ike), explores the Igbo ideology of shared knowledge, collective growth, and cultural regeneration. Inspired by traditional concepts such as the Ogbuefi, Aku-luo-uno, and Igba Bọi- Nduka examines themes of power, economic resilience, and the politics of trade and commerce in southeastern Nigeria. Through his method of stitching and weaving industrial strap belts-materials that symbolize labor and endurance-he creates organic forms that speak to heritage, history, and the potential for transformation in the present. The exhibition reflects the values of the Igbo apprenticeship system, which is grounded in mentorship and communal support, and encourages a return to a morally conscious and interconnected society in the face of declining collective values.
The concept of Aku-luo-uno addresses current societal challenges by promoting mentorship, the sharing of knowledge, and the upliftment of community. Rooted in the tradition of returning to one's community to support others after achieving personal success, it offers an alternative to growing individualism, self-interest, and systemic inequality. In a time of increasing social disconnection, Akuluono proposes a model for sustainable development that emphasizes cooperation and investment in human potential. This approach aligns with sociological perspectives that view structural change and collective action as key to addressing issues such as poverty, unemployment, and social fragmentation.
